Eric Michael Johnson, an historian of science, is also the writer behind an excellent blog, “The Primate Diaries.” The other day he gave me a call to talk about science writing. He put together a two-part Q&A that he published today (part one and part two) that ranges from the science writing in Moby Dick to the microscopic virtues of Twitter. I was particularly flattered to get a portrait done by Nathaniel Gold. Check it out!
Originally published December 20, 2011. Copyright 2011 Carl Zimmer.
Recently I blogged about a new strain of potentially dangerous flu that evolved during experiments in the Netherlands and Wisconsin. There I tried to counter the misconception that scientists had intentionally concocted this particular strain. Because these new flus actually evolved pretty quickly in laboratories, we now know we should take seriously the possibility that this transformation may happen in the outside world someday.
But there’s a second issue at play with this new virus: should the world get to see its genome?
Continue reading “Should the new flu stay secret? Or does secrecy kill?”
In 1494, King Charles VIII of France invaded Italy. Within months, his army collapsed and fled. It was routed not by the Italian army but by a microbe. A mysterious new disease spread through sex killed many of Charles’s soldiers and left survivors weak and disfigured. French soldiers spread the disease across much of Europe, and then it moved into Africa and Asia. Many called it the French disease. The French called it the Italian disease. Arabs called it the Christian disease. Today, it is called syphilis.
We take in streams of information of radically different forms: photons through the eyes, textures through the skin, air vibrations through the ears, molecules through the nose. Marvelously, we manage to integrate all that information into a unified, coherent feel of the world. It turns out that as we draw in these different streams, we use information from one sense to shape what we take in from others. It’s an efficient way to make the most of our imperfect perceptions. But it also leaves us vulnerable to some remarkable illusions, like the one illustrated in this video.
In my latest column for Discover, I explore our powers of multi-sensory integration. Check it out.
Originally published December 16, 2011. Copyright 2011 Carl Zimmer.
Last year I decided to play in the ebook sandbox. I brought together some of my favorite pieces about the brain in an anthology I entitled Brain Cuttings: Fifteen Journeys Through the Mind. I teamed up with the publishers George Scott and Charles Nix, and we produced an ebook.
Along the way, we learned a lot. I recounted some of the lessons in this piece for the Atlantic, and others in this conversation with the writer Steve Silberman. Suffice to say, publishing ebooks is by no means a frictionless utopia for writers. Nevertheless it remains strangely addictive. Perhaps we writers get the same jolt of dopamine that readers get when they tap a glass screen and are rewarded with a new book.
Continue reading “Presenting a new ebook: More Brain Cuttings”