In the New York Times this morning, the poet Diane Ackerman has written an essay about the brain, in which she waxes eloquent about its ability to discern patterns in the world. The essay is distilled from her new book, An Alchemy of the Mind, which I’ve just reviewed for the Washington Post. I didn’t much like the book, although it took me a while to figure out what was bothering me about it. If you read the essay, you can get the flavor of the book, not to mention Ackerman’s general style in her previous books (which have taken on subjects such as endangered species and the senses). Ackerman has a fondness for sipping tea, tie-dye dresses, and hummingbird feeders, and an even greater fondness for writing about them. I know people who have been put off by her aesthetics, and I find them cloying as well. But that wasn’t really at the heart of my dislike of the book. (And besides, my own aesthetics leans towards shark tapeworms and dissected sheep brains, so I’m hardly one to complain about other people.) It took me a few days to realize that the problem with the book was embedded in a deeper problem: how we talk about nature (which includes our own minds).
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