Snow Fall: The Avalanche at Tunnel Creek. By John Branch. The New York Times and Byliner.
Reviewed by Veronique Greenwood
On Wednesday night, a mysterious new article appeared on
the New York Times site. News of it began to leak out via Twitter, and people who headed over to read the first chapter of Snow Fall: The Avalanche at Tunnel Creek, an account of a backcountry ski run turned deadly, found a piece not only grippingly reported but
physically gorgeous, laced with soaring animations of the mountain, a looping GIF of the wind over the snow, and haunting audio and video captured by the
survivors. Here's a sample of the reaction, from Atlantic correspondent Yoni Applebaum:
That @johnbranchnyt feature on Tunnel Creek? If this is the future of journalism, it looks beautiful: nyti.ms/UGCPpU
— Yoni Appelbaum (@YAppelbaum) December 20, 2012
By Thursday morning, the rest of the story–five further sections in all–had been posted, and we'd learned that Snow Fall, a groundbreaking example of
journalism enhanced by the web, would appear without multimedia features in the Sunday edition of the NYTimes and be the first ebook released
through a new collaboration between the New York Times and Byliner.
I've read the story and examined both the Web and ebook versions, and I'm here to tell you: buy the ebook if you'd like to carry the text around with you, but please, please do yourself the favor of reading it online.
The story starts on the back side of Cowboy Mountain in Washington. Two days' powder lie thick over the landscape, and
professional skier Elyse Saugstad and a group of 15 other ski industry professionals and local experts have just joyfully begun the descent of an
out-of-bounds run named Tunnel Creek. Standing in a copse of old-growth trees, Saugstad looks uphill and sees something that should not be there: a
two-story-high wall of snow. Seconds later, she and an unknown number of others are buried in a river of ice that, if it had not already crushed them to
death, would suffocate them within minutes.
These skiers and boarders weren't noobies. Over and over again, you hear, in the survivors' own voices in the embedded videos, that this was a dream team
of backcountry skiers with decades and decades of experience between them. They would have known if it had been unsafe to go. But in meticulous reporting
John Branch gently teases out the new technologies that have given out-of-bounds skiers enough of a boost in confidence that avalanche
deaths have leapt in recent years, along with the cultural effects—the politesse, the bravado of even smart skiers—that clicked together like the parts of a deadly machine in
Tunnel Creek.
The comparison that immediately comes to mind is with Young Men and Fire, the last book written by Norman Maclean. Maclean's 1992 masterpiece is a reconstruction of the
Mann Gulch Fire, a disastrous 1949 blowup in Montana that consumed 12 smokejumpers, the elite fire-fighting parachutists of the Forest Service, in less than 10
minutes. As I watched the animations laying out the tracks each skier took, and watched the helmet cam videos of Saugstad and others taken just before, and
after, the mountain fell, I thought, “This is what Young Men and Fire would have looked like, had the smokejumpers had video on their helmets.”
If the Byliner version, which has only text and a few photos, were the only version, I'd be crowing over it. But having seen the beauty and skillfulness of
the web version, I have to wonder why the New York Times did not release Snow Fall through The Atavist, which has made it their business
to tell multimedia stories in ebook form. Perhaps there's a business question in play here. After all, the Atavist offers stripped-down Kindle versions of their stories, which sometimes climb up Amazon's best-seller charts. For now, there may just not be enough demand for elaborate programming for these long-form features. And since the Times has already built Snow Fall an online home–and, as of Friday morning, sold most of the advertising
slots in it to Sotheby's–they may see the ebook simply as a way to skim a little more cream off what they've already done, without investing too much more work.
That's a bit of a pity. But at least we'll always have the Web.
Veronique
Greenwood is a staff writer at DISCOVER Magazine. She writes
about everything from caffeine
chemistry to cold
cures to Jelly
Belly flavors, and her work has appeared in Scientific American,
TIME.com, TheAtlantic.com, and others. Follow her on Twitter
here.
Tom Levenson says:
Lovely review. Now off to the story itself
Ann Finkbeiner says:
Snow Fall is brilliant. I thought it came close to a pipedream I wrote about in another review for DtU, and if you don’t mind, I’ll quote myself because I still like this idea because I really don’t like hyperlinks that take you out of the flow of the story:
“What about some sort of moving story where the text slides in and out of the real places and the real people doing real things? The words merge into atoms which disintegrate into alpha particles which fly off and break a DNA chain which tries to repair itself and can’t, and the person whose DNA is broken asks his radiobiologist whether he’s at risk for cancer and the radiobiologist begins to explain and his words slide back into text which turns into little radon bubbles that tickle the author’s skin. Something like that: a story that merges all the media in a single uninterrupted stream. I can just hear the software developers: ‘the woman knows nothing about code.’”
Didn’t Snow Fall come close to doing this? and isn’t that thrilling? And didn’t it take a zillion hours of code? I think it did.
Barclay Dunn says:
Thank you for posting about this amazing piece of art. I’ve just been blown away by it. it feels like what content on the web should aspire to be (and so rarely achieves) – telling a story in a different way than just the written word, or an audio piece, or even a film, can do on their own. I just love it and I hope more work like this gets done. Although I am sure it wasn’t the most cost-effective journalism, it *was* a work of art. It really did justice to the dramatic material it covered and I’m so glad I didn’t miss it!