ElectricmindThe Electric Mind written by Jessica Benko. The Atavist, 2012. Kindle Singles, The Atavist app , iBooks, and other outlets via The Atavist website.

Reviewed by Ed Yong

Throughout the history of neuroscience, we have gained an inordinate amount of knowledge by studying people with severe brain damage, and watching how they manage to live. HM’s surgically altered brain revealed secrets about how memories are formed – after his death, he was revealed to be an American man called Henry Molaison. KC, a Canadian man whose real name is still unknown, also taught us much about how memory works, following brain damage sustained during a motorcycle accident. SM, a woman with an inherited brain disease, reportedly feels no fear.

These patients are known by abbreviations that preserve their anonymity, but also shroud their contributions. Their hopes, struggles and lives are condensed into patterns of injury and aberrant behaviours, and distilled into pairs of letters. But sometimes, very rarely, we get a privileged opportunity – a chance to unpack the people behind the letters, and to learn not just how they became a part of science, but how science became a part of them.

Jessica Benko’s new story, The Electric Mind, provides just such an insight. It is the latest in an increasingly strong portfolio of stories from The Atavist, a digital publisher that produces stories “longer than typical magazine articles but shorter than books”.

The Electric Mind is the story of Cathy Hutchinson, a woman known in the scientific literature as S3. She’s a mother-of-two who was “always goofing around and singing and dancing”, until a stroke disconnected her brain from her spinal column and left her with an active mind imprisoned in a frozen frame.

For several years, Cathy has been taking part in a groundbreaking experiment called BrainGate – not a sordid cerebral scandal, but a bold project that aims to give paralysed people control over mechanical limbs. The scientists behind the project fitted Cathy with microscopic electrodes that read the neural buzz within her motor cortex – the area of her brain that controls movements. The implant acts like an electronic spine that links Cathy’s brain to a computer or robot, bypassing her own immobilised flesh.

At first, she used the electrodes to control the movements of an on-screen cursor. More recently, she commandeered a robotic arm. As she thought about grabbing a bottle, the electrodes deciphered her mental commands and the arm carried them out. “For the first time in 14 years—indeed, for the first time for any quadriplegic—Cathy was able to reach out into the world.”

The project’s crowning results are published today in the journal Nature, concurrently with the launch of Benko’s story. The paper itself preserves Cathy’s anonymity, and describes her in the starkest of terms. She’s “a 58-year-old woman with tetraplegia caused by brainstem stroke… She is unable to speak (anarthria) and has no functional use of her limbs. She has occasional bilateral or asymmetric flexor spasm movements of the arms that are intermittently initiated by any imagined or actual attempt to move. S3’s sensory pathways remain intact.”

The reality behind these cold, precise words comes through in Benko’s skilful narration. Right from the start, she plunges us into Cathy’s world, as she wakes from a coma to hear the sound of the ventilator beside her bed.

We get to know Cathy through Benko’s eyes, as she tracks down the woman via her son, and meets her for the first time. First-person accounts can break the fourth wall to a distracting extent, and many journalists would balk at inserting themselves so prominently into a story. But Benko earns her place as a protagonist in her own tale, in a way that reminds me of Rebecca Skloot’s The Immortal Life of Henrietta Lacks. The author’s quest becomes an inextricable part of the story itself. Through Benko’s expectations of meeting Cathy, her descriptions of their first meetings, and her difficulties in interviewing a woman who can only communicate via eye-flickers, we learn the extent of Cathy’s disability, and the frustrating complexity of seemingly simple tasks.

Writing about extreme disability (and attempts to overcome it) is not easy. You’re always an adjective away from being mawkish, and an adverb away from being ghoulish. Benko deftly negotiates the tightrope. She cleverly uses essays from other locked-in patients to describe hardships that would sound overwritten from her own hand. And she’s a master of keenly observed but simply delivered prose. When Cathy laughs, for example, it’s “a short burst of air that vibrated across vocal cords she can’t voluntarily control.” No embellishments required. These scenes throw their own punches. Benko just puts you in the ring.

Benko’s eye for detail also elevates her descriptions of experiments that have been reported again and again in the press. We see what Cathy’s nursing home room is like. We learn that the electrodes were fired onto her brain with “a pneumatic device like a tiny air hammer”. We discover that the bottle that Cathy lifted via robot was a thermos full of coffee (she loves coffee), “emblazoned with the initials and insignias of the research team and sponsors”. She finds drama in minutiae. While other reporters rush straight for a snare-drum crash of incredible implications, Benko takes her time with scenes that build to a steady crescendo.

Using Cathy’s story as an anchor, The Electric Mind stretches back in time to look at the historical events that preceded BrainGate (including a horse accident and suspected psychic powers). The story also pulls outwards at other means of reaching the same ends, such as functional electrical stimulation, where electrodes stimulate a patient’s own muscles instead of a robotic limb.

These sections, where we leave Cathy and focus on the field at large, are arguably the weakest elements of the story. Around the two-thirds mark, the tale threatens to veer off course. From rich details about a woman steering a robot arm with difficulty, we’re suddenly plunged into hand-waving speculation about infrared vision, Avatar-like… well…. avatars, and telepathic soldiers (and the irony of reading a journalist’s words about electronic telepathy on a handheld device was not lost on me).

But then, in a rather daring move, it becomes clear that this was exactly the point (keep an eye out for the start of Chapter Seven). All the other characters not involved in BrainGate, from Nicolelis to a ridiculously breathless DARPA spokesperson, serve as foils for Cathy. Their visions are too far removed from the reality of her condition. They remind us about what The Electric Mind could easily have been – a story of technological triumph and glorious futurism. Instead, Benko has treated us to something far better – a story of extreme limitations and what happens when people (and science) run up against them.

*****

EdEd Yong is a British science writer who writes the award-winning blog Not Exactly Rocket Science. His work has appeared in Nature, New Scientist, the BBC, the Guardian, the Times, Wired UK, Discover, CNN, Slate, the Daily Telegraph, the Economist and more. He lives in London with his wife. He has never been impregnated by a botfly but he does rather like ants.

FarthestNorth_BylinerFarthest North: America's First Arctic Hero and His Horrible, Wonderful Voyage to the Frozen Top of the WorldByliner Orignals. $1.99  Publisher site.

Reviewed by David Dobbs


When people today imagine scientists, they tend to picture a man in a white lab coat, glasses, and a scraggly beard. A century and a half ago, however, people imagining a scientist were more likely to conjure a man with a heavy fur coat, a telescope, and a beard twisted not by eccentricity but by the gales of distant places. It was the great age of exploration, when many scientists did their work afoot or at sea. The scientist was a person not just of thought but of action.

In America, no one typified this scientist-explorer image more thoroughly than Elisha Kane, an unlikely explorer who trained formally in neither science nor seamanship; who led one of the era's most extraordinary and influential polar journeys; who was ill much of his life but found extraordinary strength during his severest trials; and who convinced himself and others, for a time, that he had made one of the most important discoveries of his era, only to be largely forgotten. He vividly occupies Todd Balf's Farthest North: America's First Arctic Hero and His Horrible, Wonderful Voyage to the Frozen Top of the World.

This is great material, and Balf, a former editor at Outside, handles it deftly. He gets the scientific dilemmas spot-on while telling a gripping, overlooked tale. He also paints a wonderful picture of how a person's qualities, applied with energy and savvy, can find the doors of opportunity in an era and knock them open.

For the restless Kane, the exploration of the Arctic proved an irresistible draw. The voyage examined here was his second, but the first under his command. The prior journey, which he took as a naval officer, went so badly from an exploratory point of view that its leader happily left the traditional captain's author's account to Kane. Kane, with a romantic's heart and a novelist's touch for earthy detail, seduced  the American public  with an Arctic world they paid  little heed to before; his treatment was half Twain, half Whitman, says Balf. Their mission had been to find and rescue the lost British explorer John Franklin, who had disappeared years before while seeking the Northwest passage. Kane's poignant description of the traces they found of Franklin's path — an abandoned camp with three sailors' graves, an armorer's forge, and a pair of officer's gloves washed and set out to dry — flamed enough interest in Franklin's fate to generate funding for a second rescue attempt, this one led by Kane. 

So in May 1853 he set sail. He would search not just for Franklin, but for the "Open Polar Sea" — a coveted passage to the North, and ultimately the Pacific. Kane suspected Franklin may have found this sea but not lived to report or take credit for it. A British adventurer named Inglefield, thinking likewise, set sail from England at about the same time thatKane did, and on the same mission. Kane's trip was at once an attempt at rescue, a test of a hypothesis, a bid for fame, and a race.

As a scientific venture, his search for an Open Polar Sea posed all the seductions and dangers of any powerful idea. It tempted not only extremes of action but the perceptual warping we're all subject to — the tendency to see what one wants to see. The expedition's naturalist-surgeon, Isaac Hayes, encountering in the hills around Baffin Bay a "lush summer bloom," thought it presaged mild weather and open water ahead. Likewise, as they worked their way up through Baffin's ice flows that July of 1853, both Hayes and Kane found hope in seeing many animals moving northward, as if warmth lay there.

They soon found otherwise. Above Baffin they met cold gales that sent the ship careening among ice floes. The sea glazed over. Two weeks later, the ice seized them. They were further north than anyone had ever wintered and survived — 78 degrees, 44 minutes. And though it was only September, it soon became apparent that winter was coming early and hard. Over the next 18 months, locked in ice the whole time, the men suffered a near-continous stretch of arctic torments: weeks on end of darkness and subzero temperatures; scurvy that turned old wounds into open sores; frostbite that forced amputations. Kane's journal through those winters, writes Balf, "is a record of unbroken misery." 

Kane's great feat is that he got 14 of his 17 men through an ordeal that should have killed them all. Through the second winter, Kane, who actually felt stronger then than in the winter before, relentlessly nursed and cajoled and supported his men, even as he himself sometimes bordered on delirium. It was a spectacular triumph of deadening, dumb, determined endurance. Finally, in the spring of 1855, they abandoned the ship. After weeks of dragging two lifeboats southward over300 miles of brutal terrain to reach open water, they sailed 1200 miles to Greenland and safety. 

That October, Kane returned to the United States to a hero's welcome, his book-won fame spread explosively by news of his survival. But his health deteriorated. When he died in 1857 in Cuba, where he'd gone hoping to recuperate, it made all the front pages. His funeral procession from New Orleans back home to Philadelphia was watched by thousands — the biggest public mourning the young country had yet seen. It wouldn't be topped until Lincoln was shot. His status is suggested by a banner overhanging Fifth Avenue: "Science Weeps, Humanity Weeps, the World Weeps."

Now few know of Kane. He's rarely mentioned in short lists of great Arctic explorers. Balf's tale serves both as an historical corrective and a sort of fable of the fickleness of fame and the cruel risk of reaching for but failing to bring home a big idea. "Like the earliest, most ambitious pioneers to any new land, he got some things wrong," writes Balf. "He also got a lot right." He found new ways to survive cold and hunger. He returned "by a smart retreat and an unprecedented alliance with the native Inuit; he worked tirelessly to nurse his party back to strength." 

This contrasts, Balf notes, with Franklin, who died early on and left his men to march to their deaths. Kane's program for surviving an Arctic winter "was brilliant … and duplicated by almost all future Arctic expeditions," including Shackleton's more famous escape. A notable exception is Scott's disastrous but romantic failure at the South Pole, which arose partly because he ignored some of Kane's lessons and innovations. Yet both Franklin and Scott remain far better known, probably because they did not return. And Shackleton's name far outshines Kane's, even though Kane accomplished something every bit as difficult and unlikely. They both did the impossible. Shackleton's impossible was just more obvious. 

It didn't help that someone else largely solved the mystery of Franklin's party. Kane also had the back luck to get the science wrong.

In that spring of 1855 in which he finally took his men south and home, he first sent two of the strongest men north to take one more shot at finding the Open Polar Sea. They marched 200 punishing miles, all the way to 81N, 22', "shedding everything" to get that far. There they encountered a 500-foot bluff. Only one of the men, steward William Morton, had the strength to climb it. When he reached the top, he saw before him an "unfrozen sea" with "waves, … surging from the furthest north, breaking at my feet." A northerly gale blew in his face — but carried no ice toward him. The open water stretched north to the horizon.

From this tantalizing data point — a big, fat, seemingly infinite n of 1 — Kane drew an understandable conclusion: He had found the Open Polar Sea. Balf properly forgives Kane this error. And when he reveals the freakishly unique alignment of forces and events from which this false finding rose — an assembly that starts with Franklin and ends with an astonishing satellite photo taken in 2010 — it's hard not to join him. For the full, strange, richly told story, steer your browser to Farthest North.

 

DDinwoods100x100David Dobbs, the author of The Atavist e-book bestseller My Mother's Lover, writes on science, culture, and sports for publications including The Atlantic, The New York Times Magzine, National Geographic, and Slate. He blogs at WIRED  and is now writing his fourth book, The Orchid and the Dandelion

 

 

Mzi.pbqezocu.225x225-75Titanic: Uncovering the Secrets of the World's Greatest Shipwreck, by National Geographic Shorts. National Geographic. Amazon Kindle/iBooks/Barnes& Noble

Reviewed by Jennifer Ouellette

Last fall, ABC launched a lazy, cynical reboot of the iconic 1970s TV series Charlie's Angels, hoping to cash in on the whole nostalgia trend. NPR's Linda Holmes wrote one of the most insightful reviews I've seen in a long time about just why the reboot was so much worse than the many other silly or trashy shows that mysteriously find their way onto primetime TV. To wit: nobody involved ever really loved the show, not even a little. This, Holmes writes, is what she hates most about TV:

"It's these dead, unloved, pre-chewed blobs that are spat out over and over again, truly serving no purpose other than filling time between commercials. Nobody thinks this show is fun, nobody thinks this show is interesting, nobody thinks this show is cool. Nobody thinks this show is anything. Nobody loves it, and you can tell."

I found myself reflecting on Holmes' observation while flipping through Titanic: Uncovering the Secrets of the World's Greatest Shipwreck, a National Geographic "short" released just in time for the 100th anniversary of the famous sinking, which claimed the lives of more than 1500 people. NatGeo isn't the only organization seeking to cash in on the RMS Titanic's historical landmark moment; there's a reason James Cameron released Titanic 3D this year, after all, and most news outlets have obliged with their own takes on the tragedy.

The story of Titanic has captured the public's imagination for a century and inspired countless books and films, so I get why a publisher would be interested in capitalizing on a "sure thing" in these tough economic times. And as a lifelong Titanic fan, I'm absolutely the target audience. Alas, I'd be hard pressed to find a more lackluster,  uninspired, and disappointing excuse for a retrospective than this. Honestly? It feels like an afterthought. This is the e-book that nobody loved. And I paid $3.99 for the privilege.

Stöwer_TitanicMichael Sweeney's prose is clean and competent, if a bit workmanlike, and he does a decent job of bringing a few telling details and heartstring-tugging personal stories to the fore. He dutifully sums up the various theories about the sinking, and Robert Ballard's discovery of the wreckage on the ocean floor in 1986.

But this is well-traveled ground. We've heard most of these stories and met all these people before. There is very little here one couldn't find with a quick 15-minute Google search, or by leafing through one of the umpteen prior books about Titanic that are available.

That's not necessarily a problem — especially for those sad souls on Twitter who have only just realized Titanic wasn't just a blockbuster movie — but if you're going to rework old material and go the trouble of packaging it into an e-book, it's generally a good idea to find some new twist, a new way to shape the narrative, something to make it seem fresh. That freshness, alas, is sorely lacking here.

Still, that would have been less of an issue if the production values were a bit higher. There is so much good material in the way of old photographs and illustrations relating to Titanic, yet all we are given is the usual smattering of archival photographs, plunked perfunctorily at the end of each chapter. Not every e-book needs to be an expensive app with impressive bells and whistles, but a little more effort on that score would have added a bit of much-needed pizzazz to the presentation.

Cameron's blockbuster film has garnered its share of snark as well as praise over the years, but whether it's your cup of cinematic tea or not, you can tell Cameron loved that project. It's a reimagining of a timeless tale, not just a regurgitation of the same old stories. Cameron poured his heart and soul into it, obsessing over the smallest detail, and he's still at it, as evidenced by the new CGI animation below — a dynamic model of the sinking sponsored, ironically, by National Geographic.

You just can't fake that kind of passion. And that's precisely what's missing from this e-book. Nobody seems to have cared enough to bring that extra spark of creativity to the project, perfectly content to just serve up a warmed-over rehashing of the events. In fact, it's possible that I expended more thought and time on this review than anyone spent on Titanic: Uncovering the Secrets of the World's Greatest Shipwreck. Titanic deserves better.

Image: "Untergang der Titanic" by Willy Stöwer, 1912. Public domain.

6a0162fff12125970d016763adcc2a970b-800wiJennifer Ouellette is the author of several popular science books, most recently The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse. She also blogs at Cocktail Party Physics and Discovery News. Follow her on Twitter.


MoonRocks_RAW2-210x280The Case of the Missing Moon Rocks, written and illustrated by Joe Kloc. The Atavist, 2012 (Atavist app for iPhone or iPad,/Kindle/Nook/iBook/Kobo)

The sheer noise and spray of rhetorical fæces produced by the swarms of pygmy wretches infecting the U.S. political system these days makes it hard, sometimes, to reconstruct the full metal weirdness of the state of the nation way back when.  That would have been my teen years, in the ‘70s, that time when those of us who aspired to the writing life had to buy our slates and no. 2 chisels directly from actual carbon-based life forms.  We did so while watching the triumph and collapse of the King Rat of crazed, feral politicians, the 37th of his office, our own unindicted co-conspirator, Richard Milhouse Nixon.  (Cue this number.)

It’s truly hard to convey just how evil, absurd, and oddly grand Nixon was to those who have only experienced the banal corruptions and miseries of the current scene, but the trademark Nixonian mix of paranoia, calculation, and genuine aspiration to statesmanship produced public theater the likes of which I do not think we’ll see again in my lifetime.  Just how odd?  Well, to get a taste, just a hint of the nooks and crannies of history into which even Tricky Dickie’s most trivial by-blows could lead, check out Joe Kloc’s tale of one man’s pursuit of what might be termed Nixon’s moon-struck folly.

Continue reading “Have I Got A Moon Rock For You…”

LivingarchcoverLiving Architecture: How Synthetic Biology Can Remake Our Cities (TED) by Rachel Armstrong. iPad, Kindle, Barnes & Noble.

Reviewed by Annalee Newitz

In the opening section of her long essay, Living Architecture (based on a TED talk), materials designer Rachel Armstrong lays out the problem facing all urban residents in a crisp, moving description of Sendai in the wake of the 2011 earthquake. Buildings in the coastal region of Japan had buckled and crumbled, and its streets pulsed with contaminated water. First responders tried to rescue a dog, but found that it wouldn't leave until they followed it to an area where they discovered another dog, barely breathing. Both animals were taken to safety and given medical attention. What this sad scene underscored was that in the face of disaster, all forms of life try to help each other survive. 

Encapsulated in that tale of two dogs is also the problem and, possibly, a solution to troubles in modern cities. As Armstrong explains, metropolitan areas will be home to nearly two thirds of the Earth's population in the next half century, but they are breakable, dangerous, and depend on unsustainable forms of energy. Still, those cities are filled with life that can make it through disasters that shatter buildings. Armstrong, whose research touches on synthetic biology, asks whether it might not be better to build cities that are as resilient (and compassionate) as the lives inside of them. 

Continue reading “All the Beautiful Bioreactors”