Shaikh-whats-killing-usWhat’s Killing
Us:  A Practica Guide to
Understanding Our Biggest Global Health Problems
by Alanna Shaikh. TED Books 2012, Kindle, iBookstore, Nook

Reviewed by Tom
Levenson

The last decade of the seventeenth century was a great age
for London’s media junkies. Paper had become cheap enough to permit the
emergence of the first  real
newspapers in the English-speaking world. 
The censors saw their reign end in 1696, the year after Parliament
declined to renew the
Licensing Act
. With that, printers no longer had to fear harsh penalties
for operating an unapproved press. 
Free lance journalism was emerging as a plausible way to make a sort of
a living – even if one of its most prominent practitioners, Daniel Dafoe, did
do his stint in debtor’s prison.

Given all that, it’s no surprise that a torrent of what we
may call new media poured forth. If you had something to say and even quite
modest means, you could say it – and plenty did. Readers could lay their hands
on learned disputes on the question of singing in church; coiners advising the
government on the best methods to prevent counterfeiting; at least one poem by
a law student on the subject of long vacations.

All of these appeared in the form that truly came into its
own in the 17th century. That would be the pamphlet: a modest tract,
easier to write, cheaper to print, swifter to plow through than any scholar’s
tome…

…All of which is to say that there is nothing new under the
sun.

Flash forward roughly
three hundred years, and lay your digital mitts on the subject of this review,
Alanna Shaikh’s What’s Killing Us.  It is an e-bite of an argument, less
than forty pages to cover Shaikh’s top-ten list of global health problems.  It is a pamphlet by any other name, and
hence an example of one of my favorite everything-old-is-new-again gifts of the
digital revolution. 

One note before getting to the meat of Shaik’s work.
Sharp-eyed readers will see that I’ve left unmentioned one property of What’s Killing Us.  It’s a TED book, and TEDity has come
in for its lumps here
. This
one doesn’t, or shouldn’t, in part because it does not attempt to reduce the
difficult reality of global health to a trademarked Big Idea.  Instead, it is an example of what TED
promises but does not always deliver – a guide to thinking about a the
complexity of an issue that enables – really demands that — the reader join in
figuring out what the hell to do.

Continue reading “Death and Other Options: How To Think (Hopefully!) About Global Health”

Science of Sport 300The Science of Sports: Winning in the Olympics. Scientific American $3.99   KindleiBookNookSony Reader

Guest review by Jaime Green

I love the Olympics, although I'm not sure why. Maybe it's the special-occasion feel, or the every-two-years anticipation–a longer wait than for next Christmas. (I do remember when both summer and winter games were held in the same year, though not well enough to recall whether the four-year wait heightened the thrill or if the crush of excitement was too much, gymnastics and archery only six months from figure luge and ski jump.)

The exotic sports at the Olympics also add to its thrill. Sure, people will snark about the two weeks a year we care about synchronized diving –“Where were you during world championships last year!?”–but for those two weeks we do care! We cram our brains with obscure knowledge. Every four winters we learn about triple axels and the salchow–how the heck to spell salchow–and then we let it all go dormant for the next four years, until we can debate the finer points of fencing again.

It's this thrill of the unusual, and of learning its finer points, that I was looking for in Scientific American's ebook, The Science of Sports: Winning in the Olympics. And coming into it looking for that angle, I was disappointed that the book stayed so true to the first part of its title: the science of sports. That's what this ebook is full of. What it is not full of, and what I missed, was the science of the Olympics.

This first ebook from the editors of Scientific American reads much more like a collection of articles than a single work, and as such it is a perfectly serviceable survey on the science of sports. Pieces are divided into eight sections: The Psychology of Winning, Pushing Human Limits, Drugs and Doping, Concussions, Comeback from Injury, Gear that Gives an Edge, Fitness: Expert Advice for You, and Closing Ceremonies. The pieces, written especially for this ebook by individual Scientific American editors and contributors, explore the physiology, biochemistry, and neurobiology of sports. They also examine recent incidents, such as doping scandals, that bring science and sports together in less savory ways.

Although the lack of unity was sometimes frustrating on a straight-through read–back-to-back articles sometimes retread each other's ground, re-explaining a concept or re-defining a blood protein–it still makes for a nice collection to pick your way through. There's no need to read in order, so you can follow your interests, from the mental acuity of an elite athlete to the most common Olympic injuries and then over to how playing sports can boost children's brain power. You'll learn something cool whichever path you take. And there's a lot to learn. Even if you didn't need this ebook to teach you that the ACL isn't the Achilles tendon but is actually in the knee, there is satisfyingly deep discussion of topics ranging from psychology to blood doping to the physics of prosthetic legs.

The questions tackled in this ebook go beyond the science of sports, too, in several cases engaging with the ethical questions that scientific advances raise. Do steroids make better athletes, or do they make cheaters? How many restrictions should be put on young athletes to protect their brains from concussions? Where does an athlete find the balance between improved performance and dangerously low body fat? These questions make interesting food for thought, and perhaps also foundations for important decisions. The ramifications extend far beyond the Olympic arenas.

Yet I still wished this ebook spent more time within those Olympic arenas. Many pieces focus surprisingly squarely on the topic of the ebook's subtitle: winning. It's as if the ebook's authors decided that Olympic equals elite, and then just wrote about how elite athletes win. But I don't care if Michael Phelps gets the gold. I care that he is stunning to watch. (In the pool, I mean.) And I want to know the science behind his performance–of something that feels specifically, uniquely Olympic. Articles that focused on baseball and American football felt similarly dissatisfying. They're sports, yes, but hardly what we think of as Olympic sports. (In fact, now that baseball's been dropped from the games, neither is an Olympic sport.) For readers drawn to this ebook for the Olympics and not for the sports, this may be a disappointment.

Also potentially disappointing–or virulently frustrating, depending on your level of investment–are some gaps in the scientific and athletic arguments. Jesse Bering's piece, “Why We Love Sports: Success of the Fittest,” proposes that sports compel us as fans and spectators because they serve as a demonstration of reproductive prowess. (Think of football as the peacock tail-feathers of our species.) This argument itself is a stretch. Sports audiences are so dramatically weighted toward men who are not looking to the field for mates. Bering doesn't even give the plausible counterarguments lip service. What about the primal need for play? Tribal affiliations and the strengthening power of us vs. them? The evolution and ritualization of hunting and combat practice? Heck, maybe even mirror neurons, who knows?

In a piece called “Does Exercise Really Make You Stronger?” Coco Ballantyne asserts that “the longer, harder and more often you exercise, the greater the health benefits.” She fails to offer the important caveat against overtraining, which plagues professional and devoted amateur athletes alike, with increased risk of injuries and often dramatic negative effects from overstressing the body. An article on preventing shin splints was similarly narrow-sighted, failing to mention the calf-strengthening exercises that have saved the shins of every new runner I know. 

The highlights of the book examined the subjects that I, and most readers, have no experience with. The articles on top-level cyclists and swimmers, on Olympic runner Oscar Pistorious' prosthetic legs, drew me in much more and carried that charge of the slightly esoteric that make me love the Olympics. Even an article on advanced swim gear brought a little frisson of elite, advanced technology. And “Who Wins the 40-Yard Dash: Squirrel, Elephant, Pig, Human?” armed me for some fun small-talk to fill the breaks between track and field events over the next two weeks.

For the most part, though, the science here is decidedly pedestrian. Readers who want to learn about the geometry of a rhythmic gymnast's twirling ribbon or how a pentathlete slows her heart rate before she shoots will have to wait. Maybe there will be something for us in another four years.

 

Jgreen photoJaime Green is a graduate student in Columbia's MFA writing program. Her work has appeared in The Awl, Spezzatino, The Hairpin, and Parabasis. She is writing a book about the possibility of life in the universe.

An-unexpected-twistAn Unexpected Twist, by Andy Borowitz. Kindle Single, $0.99 (free borrowing with Amazon Prime).

Reviewed by Seth Mnookin

Last week, The New Yorker found itself in the news as the result of a newly acquired blog. I know what you’re thinking — “Enough already with Jonah Lehrer!” — but this had nothing to do with journalistic ethics or onanism or anything else that might get the folks at Poynter all hot and bothered; this had to do with a blog that is proudly, deliberately “composed entirely of lies,” a blog whose author assured his readers that he will strive to be “as inaccurate as always, and if I ever write something that turns out to be true you have my deepest apology and my promise that it won’t happen again.”

I’m talking, of course, about The Borowitz Report, which Andy Borowitz started 11 years ago as an outlet for his daily, 250-word send-ups of the news. (This morning’s entry: "N.R.A. Proposes Sweeping Ban on Movies.") In that time, Borowitz has become one of the most lauded satirists in the country — think of him as a literary Jon Stewart. His name graces the cover of one of the most successful Library of American volumes ever (The 50 Funniest American Writers* (*According to Andy Borowitz)). He was voted by Time magazine readers as having the #1 Twitter feed in the world. He even hosted the National Book Awards — twice.

He also got married (in early 2008) and had a daughter (in late 2009). It’s what happened in between those two events that supplies the content for An Unexpected Twist, which Amazon recently named the best Kindle Single of the first half of the year. Borowitz's essay begins with him bloated, severely constipated, and turning down his wife’s suggestion of a midday quickie, which, he acknowledges, “should be a sign that something is terribly wrong.”

Continue reading “An overstuffed colon and a perfectly sized Kindle Single”

FrankensteinFrankenstein: The Afterlife of Shelley's Circle. The New York Public Library. Web siteiPad app. Free.

Reviewed by Carl Zimmer

"Reviewed" is too generous a term for this post. If I set out to write a proper review this colossal labyrinth of an ebook, you would have to wait for weeks, perhaps months, for my verdict. But since this particular work is free, I think the most that's necessary is to point you in its direction and wish you well. I downloaded Frankenstein this morning, and I've been enjoying perusing it greatly. While it's not a perfect ebook, I expect I'll be delving back into it for a long while.

Frankenstein comes to us from the New York Public Library. If you've ever been there, you've probably seen one of their impressive exhibits. As one of the greatest libraries in the world, the New York Public Library is also a great literary museum. To put on an exhibit, they will typically select some of the finest treasures from their collections, such as rare books, letters, maps, and prints. Frankenstein is like an exploded version of one of their exhibits. It's drawn from the Carl H. Pforzheimer Collection of Shelley and His Circle. As I wandered through the app, I sometimes wonder if there was anything in the collection that they didn't include in it.

At the core of this ebook is Mary Shelley's classic meditation on science and humanity's urge towards creation. Here you can listen to a dramatic reading from one chapter. The ebook contains accounts of the making of novel, as well as its reception. Essayists contemplate the powerful hold the story has had on us ever since, and how we've adapted its themes to science's progress, from the advent of nuclear weapons to our age of stem cell manipulations and genetic engineering. The whole project is lavishly illustrated with paintings and photographs.

This morning on the ArtsBeat blog at the New York Times, Jennifer Schuessler wrote that "the app spins out widely and wildly." I have to agree with her. I found myself paging through stills from a disastrous 1981 Broadway production of Frankenstein that closed after one night, and asked myself, "Why am I looking at this?" I can't say that the experience gave me any insight into the book's place in our culture. The essays on Shelley's circle of friends veer off far from her novel. The app includes not one but two graphic novels. Frankenstein is also loaded with interactive features, which are nicely integrated technologicaly, but not thematically. While reading the piece on the making of the novel, you are invited to pop out a poll: "Do you get the most inspiration from creating on your own?" Why, yes I do! The app then informed me that 84% of the 13 people who voted agree with me. How 'bout them apples?

The ebook also has some technical flaws. I'm still clinging to my iPad 1, and I find that Frankenstein slows down its performance like no other ebook I've used. On more than one occasion, it even crashed. Which is odd, given that Frankenstein deals mainly in texts and pictures, which should make pretty modest demands on a tablet device. On top of the app's slow performance, it displays its essays in small windows that you have to scroll through, which took me back to the early days of the web. Sometimes when you follow a link, the app dumps you into the web-site version, as if you've fallen into a parallel universe. 

If you find yourself annoyed by anything in Frankenstein, bear two things in mind. 1. It's free. 2. One touch of the screen will quickly take you to a different part of the app. Any time I've gotten bored by something in Frankenstein, I've found myself intrigued seconds later by one of the hundreds of elements of this app.

Perhaps that's the true sign of the greatness of Shelley's novel. The book was a Big Bang, and the universe it created is still expanding.

 

Zimmer author photo squareCarl Zimmer writes frequently about science for the New York Times and is the author of 13 books, including A Planet of Viruses

DeadOrAliveDead or Alive by Erika HayasakiKindle Singles, $1.99.

Guest review by Jude Isabella

About 42 percent of the way through Erika Hayasaki’s Kindle Single, Dead or Alive, a book about Near Death Experiences (NDEs), I experienced a freaky coincidence. I was in the field with a team of scientists when a member of the crew started telling me about a horrific accident he had been in a year before. I asked him if he still had nightmares. Not as often, he answered, before telling me about the out-of-body experience he had in the operating room, when he suddenly found himself above the action, looking down on his body as doctors and nurses struggled to save his life.

"I don’t know why I’m telling you this," he said. “I’ve told almost no one and I don’t like to talk about it.” The subtext being, he keeps it to himself to avoid either one of two reactions: disbelief or way too much belief.

Hayasaki explores this treacherous territory in Dead or Alive, investigating the science behind NDEs. The story is perfect for the length of a Kindle Single: the study of NDEs is in its infancy and so there's little solid scientific evidence. A longer book would be repetitive, recounting endless anecdotes and relying too heavily on speculation.

Hayasaki opens Dead or Alive with the NDE experienced by her uncle, Richard K. Harris, a lawyer turned writer. It sounds like the typical NDE description familiar to anyone who reads, watches movies, television, or roams the Internet, complete with tunnels, brilliant lights, and the presence of already departed loved ones.

It’s a brave place to start. If not for the fact that Hayasaki is a former reporter for the Los Angeles Times, (where she wrote several articles that inspired this book), I might have rolled my eyes and left Dead or Alive to languish in the “Books” collection of my Kindle. But Hayasaki understands something fundamental about NDEs — the universality of NDE descriptions can make them less credible, since anyone can describe an NDE whether they’ve had one or not. To give the experience some specificity, she focuses on Harris, recounting his experiences before his own brush with death.

By introducing both Harris and his NDE, Hayasaki hooks the reader. It becomes paramount to find out if NDEs can be scientifically explained. Is it just the product of a brain trying to make sense of dying? Or is it possible that a meta-consciousness awaits us all at the end?

Hayasaki delves into past writings about NDEs. In the mid-1970s the psychologist Raymond Moody interviewed 150 people who had been declared dead and were then revived. From the interviews he drew a universal description of NDEs, which, it turns out, have been reported throughout history. Research has accelerated since Moody’s study. A number of studies suggest that a lack of oxygen to the brain may be the cause of NDEs. Hayasaki interviews NDE researchers, even finding a neurosurgeon who experienced an NDE himself.

This is compelling reading. Who does not want to know if science can determine if death is final? (Less compelling is Harris’s story, which Hayasaki weaves into her narrative. Hayasaki never knew her uncle well. He had distanced himself from his family, and he died of cancer soon after they met.) And when it comes to the subject of NDEs, Hayasaki’s timing is impeccable. Baby boomers are reaching the age when their family and friends are starting to die. The cynic in me says the latest research on NDEs is driven by a dominant generation accustomed to questioning the status quo. Boomers, after all, made 40 the new 30 and 50 the new 40. They can’t cheat death, so they’re questioning it through science.

The non-cynic in me says technology is the true driver of this research. It’s easier than ever to study NDEs. Better brain maps courtesy of medical imaging equipment have allowed scientists to stimulate specific parts of the brain with electrodes to induce out-of-body experiences in test subjects, for example. With MRIs scientists can study test subjects’ brains as they recall NDEs. And scientific papers on the topic have turned up in journals like The Lancet and Trends in Cognitive Sciences.

Although studies often focus on the out-of-body experiences associated with NDEs, I didn’t know until reading Dead or Alive that people near death frequently say they feel nothing as they gaze at their corporeal forms, however broken and distressed they might look. When my new acquaintance, the accident survivor, expressed the same sentiment, I hadn’t read far enough into the book to know that about NDEs and I doubt he scoured the Internet looking for lesser known details. This volunteered bit of information, his hasty retreat from the conversation, and reading the book, made me think the NDE experience — brain-based or not — is more real and profound to people than I had previously accepted. 

It’s hard to tell if Hayasaki believes NDEs reside only in the brain or that consciousness lives on despite the body’s death. The balance of probabilities tips toward the brain studies and their conclusions so far. But ultimately no one knows what happens after death and in Dead or Alive I get the sense that Hayasaki is asking us all to keep our minds open. 

 

JudeIsabella100Jude Isabella writes about science for kids and grown-ups. She has written for The Walrus, New Scientist, Archaeology Magazine, Canadian Geographic, and other publications. Her books, Chit Chat, a Celebration of the World’s Languages will be published fall 2013 by Kids Can Press, and Salmon: a Scientific Memoir in spring 2013 by RMB. Follow her on Twitter.