128621319_103029c14e_o

The Formation of Vegetable Mould Through the Action of Worms, with Observations on Their Habits
, by Charles Darwin. (Free: available on iBooks and Kindle)

Reviewed by Virginia Hughes (guest reviewer)

Charles Darwin wrote many books and many types of books, the most famous of which you can download for free on iBooks or

Kindle
. How to choose?

If you want a really good story, go with Voyage of the Beagle, the charming journal Darwin kept while working as a naturalist on a ship that went
from England to South America, Tahiti, Australia, the tip of Africa and back. The first sentence is enough to pull you in:

The neighbourhood of Porto Praya, viewed from the sea, wears a desolate aspect.

If you’re looking for scientific import, nothing beats Darwin’s On the Origin of Species, the book that outlined his theory of natural selection
and would forever change biology. You might also try The Descent of Man for provocative ideas about race, gender, and sex, or
The Expression of the Emotions in Man and Animals for its lively photographs of faces that would inspire a future science of lie-detection.

It’s hard to think of a reason to read Darwin’s last book, The Formation of Vegetable Mould Through the Action of Worms, with Observations on Their Habits, unless you’re curious about exactly those things.
But for all you vermiphiles, there’s probably no better format for this volume than an e-book.

Darwin began

thinking about worms

in October of 1837, a year after disembarking the Beagle, when his uncle Josiah told him a curious story. Three years before, Jos had spread a
layer of cinders on a field near his home in the English countryside. Since then the cinders had sunk several inches and been replaced with a layer of fine
and uniform particles of soil known as vegetable mould. Could it be the work of the worms?

Intrigued, Darwin spent a few weeks closely observing his uncle’s fields. Sure enough, he discovered that the grass was littered with tiny cylindrical castings of worms. The next month, he formally presented his uncle’s idea to the Proceedings of the Geological Society of London: The digestive process of earthworms, en masse, is responsible for creating the vegetable
mould that helps crops grow. In this way, Darwin said, the lowly worm is a “geological power.”

That short paper planted a seed for a more substantial book about worms but, because of his many other writing projects, Darwin didn’t get around to
finishing it for 44 years. The book isn’t terribly long—some 222 pages on my iPad—but after reading a few pages I thought it might take 44 years to finish.

For better or for worse, the first two chapters—Habits of Worms and Habits of Worms Continued—feel like a transcription of Darwin’s
laboratory notebook. Some of his experiments are fun to read about, like when he exposed his potted household worms to the noise of a metal whistle, a
bassoon, piano banging, and shouting, all to prove that the critters were deaf. Other observations are not so fun, like the 23 pages describing which end
of a leaf a worm pulls into its burrow (for English plants: 80 percent were tugged from the tip, 9 percent from the base, and 11 percent from the middle).
Even in the tedious sections, though, the narration has a satisfying intellectual payoff. For example, Darwin uses the worm’s leaf-pulling methods—which
are neither random nor instinctual—to argue that the animals have some level of intelligence.

After 86 pages of worm habits, Darwin finally gets into the meat of the theory, describing in detail the soil observations that he made at his uncle’s
house and in the decades since. The next chapters are more historical and thoughtful, asking how worms may have played a part in the “burial of ancient
buildings” and the “denudation of the land.” It may have been no coincidence that Darwin chose decomposition as his final scholarly subject. By that time
he was old, sick and beginning to talk a lot about his own death. He died in April 1882, six months after Worms was published.

While slogging through the book, I kept wondering how it could have been so popular, selling

thousands of copies within weeks
. Not only that, but Darwin apparently received a lot of fan mail. Readers sent him all sorts of their own stories and questions about earthworms.

Perhaps, rather than a well-paced narrative meant to be read cover to cover, Worms was bought as a handy reference book. Back then, after all, if
you saw a strangely shaped worm mound in your backyard garden, you couldn’t do a Google image search to diagnose it.

Thinking of it that way, maybe Worms was a proto-Wikipedia. Darwin constantly references the worm writings of other naturalists, just like
Wikipedia’s numerous footnoted citations. Each chapter begins with a paragraph of disjointed clauses that outlines the ideas within, just like the
hyperlinked contents box at the top of every Wikipedia page. And you can read the book’s chapters in practically any order—easy as scrolling down a browser
window.

Actually, reading Worms the e-book is arguably better than reading about worms on Wikipedia. Unlike Wikipedia, I could bookmark multiple pages,
highlight passages and write notes in the margins. Best of all, I was never left wondering about the validity of the source material: This is the
authoritative voice of one of the greatest biologists of all time.

So if you’re into worms, by all means download Worms and crawl into its deep, sleepy passages. If you’re not into worms, just read the Wikipedia summary.


VCH-squareVirginia Hughes
is a science writer based in Brooklyn. Her work has appeared in Nature, New Scientist and Popular Science, and her blog Only Human is part of National Geographic magazine’s Phenomena. Follow her
on Twitter.


WhenIm164coverWhen I'm 164, by David Ewing Duncan, Published by TED Books (Available for Kindle, iPad, Nook)

Reviewed by Annalee Newitz

Half cultural prognostication and half science journalism, David Ewing Duncan's TED Books longread When I'm 64 explores whether medicine will one day make it possible for us to live forever — and what would happen to human society if we did. It's a hotly debated topic, and Duncan takes his time tackling every aspect of it in this lengthy essay. Engaging and often fun, the book takes us from the labs where scientists are exploring the genes that control aging, to brain-computer interface demonstrations where paralyzed people are learning to control artificial limbs with their minds. Whether we do it with biology or machines, it's likely that humans will artificially enhance our longevity at some point. Though the prospect of doubling our life expectancy seems crazy to some, Duncan argues it's not entirely implausible. Especially given how far we've come over the past century. 

Still, ethical questions plague the project. While researching his book, Duncan ran a survey online and in his lectures where he asked people if they would like to live beyond the standard 80 years. Most said no, though a significant minority said they wouldn't mind living to be 120 or 164. Those yearning to be immortal represented less than one percent of respondents. Many people felt that living longer than 80 years would mean depleting the Earth's resources even more quickly than we already are. Others worried that young people would have no chance at getting good jobs, since their elders could keep working for decades longer. Some simply felt that living for a long time would be depressing and boring.

Several sections of the book are devoted to Duncan's quest to understand how it would change humanity if we could live much longer than we do now. From the rational world of tissue engineering labs where researchers hope to use 3D printers to make healthy, new organs, he ventures into Singularity University where would-be immortals from Silicon Valley listen eagerly to longevity advocate Aubrey De Gray's prediction that the first person who will live to be 1,000 has already been born. These true believers imagine that science will solve our energy problems and economic difficulties long before overpopulation due to immortality becomes a planet-destroying problem.

As if acknowledging the mostly unscientific nature of the longevity project, Duncan explores its implications by discussing mythology and science fiction about immortality. We may not know what role telomeres play in aging, but we certainly know that The Matrix and Terminator warn against using technology to enhance humans. Given the speculative nature of his topic, Duncan's forays into fiction make a lot of sense, and help provide a cultural frame for debates over longevity enhancement.

Here on Download the Universe, we often discuss how a particular e-book makes use of the medium, whether with enhanced images, video, or even just a good set of links out to more sources. But with When I'm 164, I'd like to talk about a stylistic quirk of e-books that has nothing to do with format: the fact that it's become standard practice for online writing to include a lot of first-person, confessional storytelling. 

Should online writing always be personal? Certainly it's refreshing that online writers try to avoid some of the print media's fake objectivity. But should that always mean authors need to personalize their subjects?

Like a lot of longreads online, Duncan's book veers into the personal. He delves into his sadness at his parents' impending deaths, interviews both them and one of his sons about their views on life extension, and ultimately concludes the book by declaring that he's emotionally torn by the idea of living forever. In some ways, the climax of the book is Duncan's final declaration of ambivalence about scientifically enhanced longevity. I think this personal touch works in some ways — it helps to draw the reader in, and acknowledges the highly personal responses that many people have to this area of research.  

But it often reads as cheesy and unnecessary, as if Duncan were just going through the motions of making his online writing more personal than print.  Of course it's easy to sympathize with his sadness at a parent's decline, but there is nothing particularly insightful or unusual to Duncan's first-person stories about these issues. He paints the scientists and thinkers he's consulted for this book in far more interesting detail than he paints himself. The first person bits just weren't necessary to make this story compelling.

Duncan is at his best when coaxing out intriguing speculations from scientists, engineers and philosophers about their views on life extension. Duncan's observations of their work form the meat of this extremely gripping tale about one possible future — of enhanced longevity — that could arise from contemporary medical science.


Newitz12web2Annalee Newitz is the editor-in-chief of io9.com, and the author of
Scatter, Adapt and Remember: How Humans Will Survive a Mass Extinction (coming in May 2013 from Doubleday).

"Electric Shock" by Cynthia Graber. Published by Matter. $0.99. Available online and for Kindle, iPad, and others.

by Seth Mnookin

Last spring, Jim Giles and Bobbie Johnson, a pair of British journalists who'd written for everywhere from The New York Times and The Guardian to Economist and Wired, announced their intention to launch Matter. It felt, to many of us in the science-writing racket, like a quixotic effort: Was there really pent-up demand for in-depth, independent reportage that covered breaking news about science within the parameters of long-form non-fiction?

To answer 'yes' to that question required ignoring decades-long secular trends in journalism. Legacy news organizations ranging from CNN to my hometown paper, The Boston Globe, have been jettisoning specialized science reporters since the late 1990s. As profits disappeared and newsroom budgets shrank, "in-depth" projects became rarer and rarer. This is hardly a surprise. Nuanced, investigative reports have always been the equivalent of newsroom money pits: They require (relatively) highly paid reporters and editors, they don't produce a lot of copy relative to the amount of effort needed, and they don't typically deal with subjects advertisers want to be associated with. (Can you think of any companies that'd be eager to pitch their wares alongside this excellent Times series on the abuse of developmentally disabled patients in New York State group homes? Me neither.)

Continue reading “Behind the scenes with “Electric Shock,” Matter’s new ebook on regeneration”

Symbolia coverSymbolia. First issue free. Subsequent individual issues $1.99. Annual subscription $11.99. Available as an iPad app or pdf; other devices to come. See web site for details

Comics first gained respectability as art, then as storytelling, and more recently as comics journalism. Joe Sacco's celebrated Safe Area Goradze, for example, showed how comics journalism could deliver powerful portrait of life during wartime. Published in 2001, Safe Area Goradze was the product of a pre-ebook age, the sort of printed work that you might buy as a deluxe hardbound edition and display on a shelf. A decade later, comics journalists are increasingly giving up paper and going digital.

A new example of this new genre is Symbolia, a magazine that released its first issue this week. It's been generating a good deal of buzz, with write-ups in venues like the Columbia Journalism Review, Poynter, and Publisher's Weekly. I decided to check it out and discovered a creation that was fit for reviewing at Download the Universe. That's because three out of the five stories in the first edition are about science.

Continue reading “Evolving Fish, A Dying Sea, And A New Genre: Digital Comics Science Journalism”


Hookeflea copyMicrographia: Or Some Physiological Descriptions of Minute Bodies Made With Magnifying Glasses With Observations and Inquiries Thereupon
. By Robert Hooke. Originally published 1665. Project Gutenberg (web), Linda Hall Libary (web), Google Books (free), National Library of Medicine (flash web site, Turn the Pages App [free])

Reviewed by Carl Zimmer

In January 1665, Samuel Pepys wrote in his diary that he stayed up till two in the morning reading a best-selling page-turner, a work that he called “the most ingenious book I read in my life.” It was not a rousing history of English battles or a proto-bodice ripper. It was filled with images: of fleas, of bark, of the edges of razors.

The book was called Micrographia. It provided the reading public with its first look at the world beyond the naked eye. Its author, Robert Hooke, belonged to a brilliant circle of natural philosophers who–among many other things–were the first in England to make serious use of microscopes as scientific instruments. They were great believers in looking at the natural world for themselves rather than relying on what ancient Greek scholars had claimed. Looking under a microscope at the thousands of facets on an insect’s compound eye, they saw things at the nanoscale that Aristotle could not have dreamed of. A razor’s edge became a mountain range. In the chambers of a piece of bark, Hooke saw the first evidence of cells.

Continue reading “The Most Ingenious Book: How to Rediscover Micrographia”