FrankensteinFrankenstein: The Afterlife of Shelley's Circle. The New York Public Library. Web siteiPad app. Free.

Reviewed by Carl Zimmer

"Reviewed" is too generous a term for this post. If I set out to write a proper review this colossal labyrinth of an ebook, you would have to wait for weeks, perhaps months, for my verdict. But since this particular work is free, I think the most that's necessary is to point you in its direction and wish you well. I downloaded Frankenstein this morning, and I've been enjoying perusing it greatly. While it's not a perfect ebook, I expect I'll be delving back into it for a long while.

Frankenstein comes to us from the New York Public Library. If you've ever been there, you've probably seen one of their impressive exhibits. As one of the greatest libraries in the world, the New York Public Library is also a great literary museum. To put on an exhibit, they will typically select some of the finest treasures from their collections, such as rare books, letters, maps, and prints. Frankenstein is like an exploded version of one of their exhibits. It's drawn from the Carl H. Pforzheimer Collection of Shelley and His Circle. As I wandered through the app, I sometimes wonder if there was anything in the collection that they didn't include in it.

At the core of this ebook is Mary Shelley's classic meditation on science and humanity's urge towards creation. Here you can listen to a dramatic reading from one chapter. The ebook contains accounts of the making of novel, as well as its reception. Essayists contemplate the powerful hold the story has had on us ever since, and how we've adapted its themes to science's progress, from the advent of nuclear weapons to our age of stem cell manipulations and genetic engineering. The whole project is lavishly illustrated with paintings and photographs.

This morning on the ArtsBeat blog at the New York Times, Jennifer Schuessler wrote that "the app spins out widely and wildly." I have to agree with her. I found myself paging through stills from a disastrous 1981 Broadway production of Frankenstein that closed after one night, and asked myself, "Why am I looking at this?" I can't say that the experience gave me any insight into the book's place in our culture. The essays on Shelley's circle of friends veer off far from her novel. The app includes not one but two graphic novels. Frankenstein is also loaded with interactive features, which are nicely integrated technologicaly, but not thematically. While reading the piece on the making of the novel, you are invited to pop out a poll: "Do you get the most inspiration from creating on your own?" Why, yes I do! The app then informed me that 84% of the 13 people who voted agree with me. How 'bout them apples?

The ebook also has some technical flaws. I'm still clinging to my iPad 1, and I find that Frankenstein slows down its performance like no other ebook I've used. On more than one occasion, it even crashed. Which is odd, given that Frankenstein deals mainly in texts and pictures, which should make pretty modest demands on a tablet device. On top of the app's slow performance, it displays its essays in small windows that you have to scroll through, which took me back to the early days of the web. Sometimes when you follow a link, the app dumps you into the web-site version, as if you've fallen into a parallel universe. 

If you find yourself annoyed by anything in Frankenstein, bear two things in mind. 1. It's free. 2. One touch of the screen will quickly take you to a different part of the app. Any time I've gotten bored by something in Frankenstein, I've found myself intrigued seconds later by one of the hundreds of elements of this app.

Perhaps that's the true sign of the greatness of Shelley's novel. The book was a Big Bang, and the universe it created is still expanding.

 

Zimmer author photo squareCarl Zimmer writes frequently about science for the New York Times and is the author of 13 books, including A Planet of Viruses

Wonders-of-geology-cover-300Wonders of Geology; An Aerial View of America's Mountains by Michael Collier. Published by Mikaya Press. iPad (iOS4.2 or later required), $12.99.

Reviewed by Veronique Greenwood

“All true paths lead through mountains.” When I was growing up in the foothills of the Sierra Nevada, this line from the poems of Gary Snyder was a family touchstone. It probably came via my dad, who is mountain-obsessed, a chaser of summits and cirques who has hiked and trekked on five continents and now lives in the Alps. I've felt vaguely uneasy the past eight years or so, living here among the extremely low hills of the Eastern United States, and the photographs of Michael Collier, in the Wonders of Geology app, bring it all back: Yes, mountains really are where it's at.

The app was written and narrated by Collier, a geologist and physician who has been taking photographs from the cockpit of his 1955 Cessna professionally for more than 40 years. Based on his book Over the Mountains (An Aerial View of Geology), it is laid out in several sections that first teach you how to read a landscape's history from geological cues, then lead you through various American ranges to see for yourself how the mountains were formed.

$12.99 might seem steep, when there are plenty of ebooks out there for a buck. But this app is worth it. You'll be revisiting it for a long time, even after you've absorbed its lessons.

Most of the information comes to you in Collier's own rich, craggy voice. He describes the Earth's inner workings while a seemingly endless parade of fantastic scenes slips by–dunes, alluvial fans, thick, crystalline glaciers. The images are stunning, saturated with color and full of light. In one of my favorites, a Sierra valley cradles a string of glacial lakes that reflect a fierce gray-blue sky. In another, a peak in Morro Bay is bathed in the soft pink of a sunrise, and you can zoom in to see the ripples of the surf.

Collier is a deft and expressive narrator, peppering his explanations with charming turns of phrase. Tectonic plates bomb around the Earth's surface like “irresponsible bumper cars”; ridges caused by spreading centers ring the planet “like the stitches on a baseball.” He shifts expertly from the profound to the colloquial. “Plate tectonic theory has ushered in a new consciousness of the Earth's age,” he says, with grave wonder. Then his voice slips into a smile, and he quips: “How much time we talkin' bout? Lots.”

In fact, Wonders of Geology is less an ebook than a kind of hand-held, interactive exhibit, with ever-present audio guide. Photos and explanatory graphics outnumber pages of text many times over. When you do come across a page of prose, it's almost an interruption. I found myself thinking petulantly, Wait, I have to read this? Why aren't you reading it to me?!

Craters of the moonOccasional textual interruptions aside, the app is a delight. I particularly enjoyed seeing glamor shots of mountains I know well, like the Panamints of Death Valley and the sere Eastern Sierra, where I learned to core bristlecone pines as a high school kid. The app includes so many ranges that any fan of North American mountains should be able to find their own familiar faces.

To be honest, though, I don't remember these mountains ever reaching quite the height of gorgeousness evident in Collier's photographs. Maybe you have to be several hundred feet up in a 57-year old biplane to get this level of insight. Maybe, it occurs to me, this is how my dad experiences them: intoxicatingly beautiful, mountains as drug.

 

Nikki_dtuVeronique Greenwood is a staff writer at DISCOVER Magazine. She writes about everything from caffeine chemistry to cold cures to Jelly Belly flavors. Her work has also appeared in Scientific American, Technology Review, TheAtlantic.com, and other publications. Follow her on Twitter .

Cover_300-cropMoon Rocks: An Introduction to the Geology of the Moon by Andrew G. Tindle and Simon P. Kelley. Published by The Open University. iPad (iBooks 2 and iOS5 required), free.

Guest review by Veronique Greenwood

In 1988, after 12 men had walked on the surface of the Moon and nearly 850 pounds of lunar rocks had been ferried back to Earth, 13% of Americans were purportedly still under the impression that the Moon was made of green cheese. While I hope that number has shrunk in the last couple decades, I can testify that I know precious little more about the Moon than that it is indeed made of rock and that during the Cold War, bits of it were glued to plaques and passed out as gifts. Also, at some point, I believe some golf was played there.

If you're looking to sound like less of a dunce at astronomer cocktail parties, you might want to check out The Open University's free 70-page ebook on the basics of Moon geology. It's well, if plainly, written and provides links to the original research that underlies our understanding, though on several important counts it falls short of fulfilling its promise as an interactive textbook.

I learned some interesting tidbits, especially in the first chapters, that made me look at the Moon differently. For instance, we're still not really sure how it formed; each of the leading theories explains some, but not all, of what we've observed about it. One of the most widely accepted models proposes that the Earth was struck by an object the size of Mars about 4.6 billion years ago, and the debris flung off by the cataclysm coalesced into the Moon. Alongside this rather dry description was a truly alarming figure showing sequential shots of our planet in the 23 hours after the impact, lurching on its axis and spraying out matter like a soaked tennis ball shedding water.

But the breathtaking violence wasn’t over yet. As it turns out, after the planets of our solar system themselves coalesced from surrounding debris millions of years earlier, there had been quite a lot of stuff left over. This floating junk was cleared from the inner part of the solar system by the planets sweeping around their orbits. Once the giant planets—Jupiter and Saturn—started to creep outwards, things got nasty fast. “Resonance effects caused orbital eccentricities that destabilised the entire planetary system,” the text relates. “Rapid and dramatic movement of the giant planets then occurred, causing 99% of the mass of the primordial disc to be ejected from the solar system and for much of the remainder to be thrown inwards to cause an influx of asteroids and thus a surge of impacts on the inner planets.”

To translate: as the planets shifted into a new alignment, they pulled on each other gravitationally such that their neat, concentric orbits went all to hell, and they careened around in a way that sets my teeth on edge just thinking about it, in the process flinging a punishing rain of giant boulders onto the inner planets, which is how our Moon got so bunged up.

The next chapter fast-forwards several billion years. Things are much quieter. It's 1971, and the Apollo 15 astronauts are collecting pieces of the moon when one of them, David Scott, gasps and cries, “Guess what we just found! Guess what we just found.” As related in a transcript of the mission audio, he's found a crystalline rock, which is beautiful proof that when the Moon was young, it formed a crust like Earth's.

I was excited to see that the book contained an embedded video of the Apollo 15 astronauts making their discovery. I love these fuzzy old recordings, these time capsules of men with gentle mid-twentieth century American accents exclaiming “Oh boy!” when they come across a chunk of lunar feldspar. But whenever I clicked on the video (I tried several times), it froze up, and all I got was the audio.

Audio from the Moon is better than no audio from the Moon, but I was much more disappointed when I got to the book's interactive activities. The book makes several mentions of petrology—the geology equivalent of pathology. Basically, you take fine slices of rock and look at them through a microscope in various kinds of light and identify the minerals within. With each mention of petrology I looked forward to trying it out for myself with the book's “virtual microscope.”

When I reached it, I skimmed the first activity's description, which laid out how the different kinds of light revealed the identifying properties of minerals, and jumped right into the interactive element. Once I was in, though, I saw that there was no interpretive text. There were zoomable views of the sample in various lights, but all of the explanations of what I was looking at were stranded back out in the main text. To learn anything about what to look for, I had to close the interactive element, read from the text, then open the element and try to click back to exactly the place where I had been before.

This was roughly as frustrating as being told you can look at either a guidebook or a city map, but never both at the same time.

As a result, I got very little from the seven virtual microscope activities, aside from some aesthetic enjoyment. I would have learned more if I'd had a paper textbook and a companion app that could be used together at the same time. I’m surprised that the Open University, a 41-year-old UK institution whose focus is distance learning, would have bungled this point.

The disappointment of the virtual microscope aside, the book succeeds fairly well as a teaching text for curious amateurs. I know quite a bit more about the Moon now than I did before. I can say with certainty that it's not made of green cheese but of things that–to a Moon n00b like me–can seem just as fanciful: substances like the mineral olivine, which is a remarkable canary yellow under cross-polarized light; and moondust, which, for reasons that are still mysterious, smells just like gunpowder.

 

Nikki_dtuVeronique Greenwood is a staff writer at DISCOVER Magazine. She writes about everything from caffeine chemistry to cold cures to Jelly Belly flavors, and her work has appeared in Scientific American, Technology Review, TheAtlantic.com, and others. Follow her on Twitter .

Meandering Mississippi, by Mary Delach Leonard & Robert Koenig. Published by The St. Louis Beacon. iPad (requires iBooks 2). $.99 iTunes

Reviewed by Seth Mnookin

A little after 10 pm on May 2, 2011, the Army Corps of Engineers detonated explosives along a two-mile stretch of the Bird's Point levee, just below the confluence of the Ohio and Mississippi Rivers. The goal was to save the city of Cairo, Illinois, which was facing such severe flooding that all but 100 of Cairo's 2,831 residents had already been evacuated. It was a dramatic event; pictures of the explosions, like the one below, have a vaguely apocalyptic feel.  

Birds Point levee

Since the initial explosions took place at night, reporters sequestered a half-mile away weren't able to see how fast the water from the swollen river was flowing. In all, officials estimated up to three trillion gallons of water — that's 3,000,000,000,000 gallons — poured onto the Bird's Point-New Madrid floodway, comprised of approximately 130,000 acres of farmland and 90 homes.

Continue reading “Meandering Mississippi: An early journalism iBook is all wet”

IconLeonardo da Vinci: Anatomy Touch Press Ipad. $13.99 Publisher site

Reviewed by Carl Zimmer

There's no point in beating around the bush. Leonardo da Vinci: Anatomy is simply the best ebook about science that I have ever encountered. To me, it is the exemplar of what ebooks can be.

Leonardo da Vinci: Anatomy comes from Touch Press, whose lavish apps we've reviewed before at Download the Universe (Gems, The Solar System, The Elements). I've personally toyed around with all three of those apps, and while they each offered a number of pleasures, each one felt limited in one way or the other. Gems, for example, lets you twirl diamonds and rubies, but, as Virginia Hughes noted in her review, it doesn't tell you much about them or about their place in human history. The Solar System, reviewed by Jennifer Ouellette, has some very impressive features for navigating among the planets, but Jennifer noted that it lacks a clear story.

Given this track record, I launched Leonardo da Vinci: Anatomy expecting a good-looking but flawed production. No shortcomings came to light, so I tried looking for them. I looked hard. And I couldn't find any. Leonardo da Vinci: Anatomy has everything I could ask for in an ebook about one of the greatest stories in the history of science: a pioneering work on anatomy that was lost for over four hundred years.

Living during the Renaissance, Leonardo's initial understanding of the human body came from ancient scholars like Galen and Aristotle. He was taught that animal spirits traveled through giant holes in the head and then flowed into the nerves. He was taught that blood was produced in the liver and then flowed outward to the ends of the body. One reason that these obviously wrong ideas persisted for over a thousand years was that medieval scholars did not conduct their own autopsies or experiments. Galen and and company had figured out everything there was to know about anatomy, so the best thing they could do was read, not conduct research.

With the Renaissance, that obedience began to crumble. Leonardo was the quintessential do-it-yourself-er. He conceived of new kinds vehicles and weapons; he investigated optics and geology. Wikipedia has set aside a separate page for a startling long list of his accomplishments.

Leonardo also became obsessed with human anatomy, and did not hestitate to make up his own mind about it. He dissected human cadavers. To figure out how the heart worked, he created a glass model of it. To probe the brain, he injected hot wax into the head of a freshly slaughtered ox.

As I wrote in my book Soul Made Flesh, Leonardo had a hard time breaking free from the old notions of how the body worked. When he discovered that the head did not contain three linked chambers, he couldn't break free from the old theory of animal spirits. He could not accept that perhaps the brain itself was responsible for thought. Likewise, although Leonardo discovered a valve in the aorta, he did recognize that blood circulates around the body, pumped by the heart. Nevertheless, his drawings were the greatest anatomical works that existed in his time. Not only were they anatomically correct, but they displayed his artistic mastery.

Leonardo actually came close to publishing a textbook of anatomy while he was living in Milan, but battles in 1511 drove him from the city and he never quite managed to finish it before his death in 1519. Instead, his drawings remained hidden away until the twentieth century.

Today, the Royal Collection is unveiling the largest ever exhibition of Leonardo’s anatomical drawings at The Queen’s Gallery in Buckingham Palace. They also teamed up with Touch Press to create an app based on the show. All the members of the team brought their A game to this undertaking. Leonardo da Vinci: Anatomy contains a richly informative narrative about the artist's hidden career as an anatomist, written by Martin Clayton, Senior Curator of Prints and Drawings at the Royal Collection. It is illustrated elegantly with Leonardo's drawings, as well as interactive images of human anatomy as we know it now. You can see for yourself just how good his drawings of the heart or uterus were. You can turn arms to see how well Leonardo appreciated the body's biomechanics.

These components are copious but never intruding. And they always answer the question raised in the reader's mind by the text. Videos from historians and scientists end each chapter–usually I hate these features, but in Leonardo, the talking heads actually have something to say.

The app also contains Leonardo's notebooks themselves. The interface for this part is nothing short of brilliant. You can search through the pages by organ or system. Each page is presented in its original state, scanned to exquisite resolution. Tap the screen, and the app instantly translates the inscrutable notes Leonardo scribbled by his drawings. Each page is also annotated with useful explanations of what Leonardo was contemplating with each image.

Three decades after Leonardo's death, Andreas Vesalius published Fabrica, which has long been considered the first modern work of anatomy. Leonardo da Vinci: Anatomy demonstrates that Fabrica was  not the only masterpiece of the body to come out of the Renaissance. Not many ebooks can claim such achievements.

 

Zimmer author photo squareCarl Zimmer writes frequently about science for the New York Times and is the author of 13 books, including A Planet of Viruses